Part of the MuraLi project.

Spanish artist Aryz unveiled a large-scale mural in the Venezia neighborhood of Livorno, sparking both praise and controversy. The mural, covering the side of a six-story building, depicts an anatomically transformed female figure in vibrant colors and distorted shapes, blending baroque, collage, sculpture, and photography influences. The transformed anatomy, with its mix of vibrant colors and distorted forms, creates a sensation of fragility and power simultaneously. Promoted by the MuRaLi association and funded by Castagneto Banca 1910, the piece aims to provoke introspection and dialogue about the human condition, balancing fragility and strength. Curators Ilaria Tamalio and Gian Guido Grassi lauded the mural for its ability to challenge viewers and connect universal themes.

However, its bold aesthetics and prominent placement in a historic urban context have drawn criticism. Some locals, including artists Stefano Caprina and Federico Maria Sardelli, argue that the mural’s imposing size and content disrupt the area’s character and was imposed without sufficient public input. Critics described it as "visually violent" and inappropriate, dubbing it the "Cadaverona." Caprina, in particular, voiced concerns on Facebook, emphasizing the need for community consultation for such impactful works, noting that while artistic freedom is vital, the mural's permanence and dominance should have been collectively approved.

The debate underscores the broader tension between contemporary street art and its integration into historical settings, raising questions about art's role in public spaces and its relationship with the communities it inhabits.